A poetic and psychedelic journey, tracing flows of waste materials across species boundaries, in and out of hum/animal bodies through sites of scientific control. Oscillating between poetry, documentary, and reenactment, the film slips between the cracks of industrial spaces; below ground, across membranes, factory walls and into orifices and hidden worlds of work. The film is woven together by a series of poems performed by Logan February in which borrowed language accumulates. Sourced from different fields these lyrical experiments refer to fluid dynamics, spirituality, medical history, psychoanalysis and reproductive science.
Directed by Lucy Beech
Logan February
