A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
Visibles
2018
Heat
Dinosaurios en 3D
2012
Skid Row
1956
Brasilia, Contradictions of a New City
1968
The Master of Apipucos
1959
Land Without Bread
1933
Aagaman
1980
Antigravitation
1995
Larisa
Lodz Symphony
1993
Visions of Europe
2004